Eadweard Muybridge (English 1830-1904) Animal Locomotion – Plate 495, Copyright 1887, full margins under the mat
Sight 7 ¾ in. x 14 in. Overall: 22 in. x 28 in.

Eadweard Muybridge (9 April 1830 – 8 May 1904, born Edward James Muggeridge) was an English photographer important for his pioneering work in photographic studies of motion, and early work in motion-picture projection. He adopted the first name Eadweard as the original Anglo-Saxon form of Edward, and the surname Muybridge believing it to be similarly archaic. At age 20, he emigrated to America as a bookseller, first to New York, and then to San Francisco. Planning a return trip to Europe in 1860, he suffered serious head injuries in a stagecoach crash in Texas. He spent the next few years recuperating in England, where he took up professional photography, learning the wet-plate collodion process, and secured at least two British patents for his inventions. He went back to San Francisco in 1867, and in 1868 his large photographs of Yosemite Valley made him world-famous. In 1874 Muybridge shot and killed Major Harry Larkyns, his wife’s lover, but was acquitted in a jury trial on the grounds of justifiable homicide. He traveled for more than a year in Central America on a photographic expedition in 1875.

Today, Muybridge is known for his pioneering work on animal locomotion in 1877 and 1878, which used multiple cameras to capture motion in stop-motion photographs, and his zoopraxiscope, a device for projecting motion pictures that pre-dated the flexible perforated film strip used in cinematography. In the 1880s, he entered a very productive period at the University of Pennsylvania in Philadelphia, producing over 100,000 images of animals and humans in motion, capturing what the human eye could not distinguish as separate movements.

Muybridge spent much of his later years giving public lectures and demonstrations of his photography and early motion picture sequences, traveling back to England and Europe to publicize his work. He also edited and published compilations of his work, which greatly influenced visual artists and the developing fields of scientific and industrial photography. He returned to his native England permanently in 1894, and in 1904, the Kingston Museum, containing a collection of his equipment, was opened in his hometown.